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Slide WHAT IS CHARIOTDRIVE? We collaborate with great people, creating great art and entertainment, that challenges the status quo with positive purpose and meaning.

Create. Collaborate. Challenge.

Creativity and culture are what we value most.
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Create.
Collaborate.
Challenge.
That's our M.O. Learn More

Half-Life The Freeman Chronicles Content creation VIEW CASE STUDY Escape the Night Complete post production VIEW CASE STUDY Better Call Saul 9 Better Call Saul Live action production VIEW CASE STUDY

Slide PROJECTS made with love Established in 2015 in the hub of Los Angeles, California, to provide sophisticated post-production services to the entertainment industry.

We have developed a post-process that focuses on the lead creative and allows the production process to keep its intensity and flow in post-production.
A NEW
WAY TO
POST
What new way?
HALF-LIFE Live Action Series created by Chariotdrive ESCAPE THE NIGHT Series Post-production over 4 seasons BAND TOGETHER Motion graphics, color and finishing. WYNN RESORTS Commercial VFX, color and finishing SANSAR Commercaial production and post. APPLE & SONOS Post-production more

Half-life Half-life: the freeman chronicles Directed by Ian James Duncan Half-Life: The Freeman Chronicles Our internally produced Half-Life series, The Freeman Chronicles, has amassed millions of views and more than 10 million minutes watched.

Directed, production, editorial, sound, VFX and color grading by CHARIOTDRIVE.
  • More than 10 million minutes watched

  • More than 3 million views

  • 9.5 out of 10 on Steam

  • 8.9 out of 10 on IMDB
Chariotdrive is the team that can make something very special.

The three-part series is available on YouTube along with several behind the scenes videos and cast and crew commentaries.
view the complete series
Band-together youtube originals & hitrecord Docueries featuring LOGIC and Joseph Gordon-Levitt We picked up the reigns from the creative team at Hit Record, offering design, 3D animation, titles, compositing, beautification and color grade. We also colored and finished the show in Davinci Resolve producing DNX HQX masters, Prores 422HQ for YouTube and the DCP for the premiere at SXSW in Austin. The 3D animations were built in Blender and composited in Blackmagic Fusion. We used a collaborative process to work through the project. All stakeholders had access to an online project board which was continuously updated throughout the project. Realtime communication was achieved using Telegram. view more on this project Linden Labs linden lab commercial Creative, direction, production and post by Chariotdrive Because of our unique process we were able to offer 50-70% more value for the same budget.

ASK: Sansar required a 60 second spot to launch their new product Sansar.

RECEIVED: Game play and live action trailer with motion graphics and visual effects. In addition to that required 60 we were able to give them 3 x 30 second alternate versions.
view the case study
Escape the night Escape the Night 4 Seasons - Complete post-production Escape the Night Season 2 Chariotdrive posted 4 seasons of the YouTube Original Escape the Night.

On set VFX supervision and data acquisition of 10 cameras. Over 1200 minutes colored, 3000 visual effects and 1000 motion graphics.
After working on four seasons of Escape the Night, we have learned a lot more about making a YouTube Original show and would like to share some of our journey.

You can read in depth about it here.
The post schedule was as follows:

Two weeks of planning and prep
• Two weeks of shooting on location
• Eight weeks editorial – 10 episodes
• Four months VFX and MGFX
• Color and finishing – 300 minutes
• UHD Deliveries in Prores 422HQ
Multicam (ten-camera) editorial was handled in Adobe Premiere, VFX in Maya, Blender, After Effects, Nuke and Fusion. Color and finishing were done in Davinci Resolve.

We spoke recently at VIDCON about our open floor plan post-production workflow. Directors and producers have access to all post team in one creative space and with a combination of the right hardware and software both for post and communication, the output of creativity and the work goes up significantly.
Escape the night case study
Wynn Resorts Wynn Resorts Color Grading and Compositing We composited, colored and onlined this video featuring all the top DJs.

It was critical to the client that the color matched the print side of the campaign exactly and it meant going to great lengths during the composites and grading.
Apple Sonos APPLE & SONOS Music Makes It Home - Post-Production Or how to get 15,000 Hours of video Edited to 90 seconds in 3 weeks

We had a whirlwind few weeks of post-production for the campaign, “Music Makes It Home.” A truly unique endeavor, the video was a result of a partnership between industry titans Apple and Sonos, this being the first time Apple has produced a joint campaign.

The result is a distillation of data gathered from an in-depth, international case study involving families from all over the world. You can read more about the study here, but here’s the skinny. Participating families were given Nest cams, iPhones, iBeacons, and Sonos speakers; and were monitored for two weeks. The first week, the families were deprived of all music; and the second week, music was encouraged through the use of the provided Sonos speakers.

Families were captured by the Nest cams and some also kept video diaries, and eight chosen families were visited by a professional crew in addition to the other methods of self-capture with the iPhones. The result was over 15,000 hours of footage, and this is where we came into play. Chariotdrive’s role was wrangling the footage captures and getting them edited down into a 2.5-minute video. Under normal circumstances, this would have been fine, but this had to be done in 3 weeks.

The creative behind the project was Weber Shandwick, a PR agency out of Boston, and Imaginaut Entertainment handled production and teamed up with Chariotdrive and set up post-production at WeWork in downtown Los Angeles.

How we did it for Sonos and Apple Music

There were eight editors, each focused on four families. Each day pulling down the previous day’s nest camera footage and making selects.

Each editor laid down ten minutes of footage from the twelve hours recorded the previous day on the nest cams and iPhones. They laid down ten minutes of footage, cut that down into two minutes sections and then turned that into thirty seconds of super selects.

At the end of each day, the lead editor was able to dynamic link to all the sequences in his Adobe Premiere project and grab the parts that worked for the cut.
Metadata

In addition to the linking of projects, each editor injected a great deal of metadata relating to their edits so that it could be easily searched to pull useful clips and other editors grab clips they needed to create those great moments.

For example, if an editor wanted to create an edit with all the touching moments, he or she could literally type the words “touching moments” and view all the clips that contained such content.

The Setup

The final result was a fun, immersive, energetic campaign that marked a successful meeting of the minds for all parties involved.
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